Thinking Jazz: The 1920s in Literature, Culture, Film — Road Map
1— The Presidencies: From The League to Laissez Faire
Woodrow Wilson and the Retreat from Versailles
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Warren G. Harding (1921 - 1923)
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Calvin Coolidge (1923 - 1929)
By 1925 there were one and a half million active stock market accounts, and of these 40 per cent wildly speculative and on thin margin. The Dow Jones industrial average, which had hit bottom of 63.90 in 1921, soared to around 200 only six years later. The gross national product grew by nearly a third in the same period, coming within sight of one hundred billion dollars for the first time in the history of the nation. |
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2— The Fissure: The Ruralist State of Mind in Urban Culture
PROHIBITION (THE VOLSTEAD ACT) — Staying Wet or Going Dry?
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THE RED SCARE, 1919-21
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THE KU KLUX KLAN REVIVAL
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FUNDAMENTALIST REVIVAL
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3— The Great Homogenizers: Networks of Consumption
FILM
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Madge Bellamy |
Is the average performance of such a nature as to shape and develop moral fibre? Many persons are "visual-minded," that is, their sensations, emotions and impressions are derived for the greater part of what they "see" or "feel," rather than from what they read and think through from standard sources. This large class of non-readers secure snap-shot ideas of life from the screen--ideas of religion, morals, ethics, government, domestic life, forms of amusements, liberty and personal license. Little or no discrimination is made between the travesty and the real--the comic and the serious--the genuine and the superficial.... —Reverend John J. Phelan, 1919 |
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[The advent of sound] marks the most spectacular act of self-destruction that has yet come out of Hollywood... The soul of the film--its eloquent and vital silence--is destroyed. The film now returns to the circus whence it came, among the freaks and fat ladies. —English Film Critic |
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I saw that the novel, which at my maturity was the strongest and supplest medium for conveying thought and emotion from one being to another, was becoming subordinated to a mechanical and communal art that, whether in the hands of Hollywood merchants or Russian idealists, was capable of reflecting only the tritest thought, the most obvious emotion. It was an art in which words were subordinate to images, where personality was worn down to the inevitable low gear of collaboration. As long past as 1930, I had a hunch that the talkies would make even the best selling novelist as archaic as silent pictures. People still read... but there was a rankling indignity, that to me had become almost an obsession, in seeing the power of the written word subordinated to another power, a more glittering, a grosser power.... —F. Scott Fitzgerald, "The Crack-Up" |
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RADIO
United States Early Radio History |
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AUTOMOBILE
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The Golden Age of Sports
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4— Struggling (with) Stereotypes: Of Bohemians and Cultural Trends
RADICALISM REVISITED
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JAZZ, HARLEM, AND THE NEW NEGRO RENAISSANCE |
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Harlem the smithy of the Black Soul forging the uncreated conscience and consciousness of the race
[Harlem is] the laboratory of a great race-welding. Hitherto, it must be admitted that American Negroes have been a race more in name than in fact, or to be exact, more in sentiment than in experience. The chief bond between them has been that of a common condition rather than a common consciousness; a problem in common rather than a life in common. In Harlem, Negro life is seizing upon its first chances for group expression and self-determination. It is--or promises at least to be--a race capital. —Alain Locke, "The New Negro" 1925 |
Aaron Douglas I, II |
The Cotton Club Syndrome (1923)--Harlem as white uptown slumming Paradise, an Africa-on-the-Hudson,
resonant with "the barbaric rhythms of Negro Jazz, the intoxicating dances, and the wild abandon of
cabaret life after midnight" (Carl Van Vechten,
Nigger Heaven 1927).
In the early 1920s an assortment of media moguls, Tin Pan Alley 'hep cats', and other profiteers
raised their Eurocentric banners, and in the tradition of Christopher Columbus, proclaimed the 'discovery'
of a new world of music which was just awaiting their guiding hand. -- The truth of the matter was that the Jazz Age
conquistadors found a Black 'civilisation" that had already provided musicians with the necessary guidance and
institutional support of booking agencies, theatre managers, nightclub operators, music reviewers, sheet-music
companies, trade unions and training schools....
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BOOSTERMISM, BOOBOISIE, AND BABBITT
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Boys' and Men's Underwear Ads of the 1920s |
The world as a whole is still obviously in its earliest experimental stages with installment selling, with such mass distributive apparatus as chain stores and mail-order establishments, and with problems of more accurate market-appraisal estimates of potential buying power, etc. —Julius Klein, Dir. Bureau of Foreign and Domestic Commerce, 1928 |
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THE FREUD FAD
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OTHER CULTURAL MOMENTS & ICONS
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5— The Stock Market Crash--Black Thursday, 24 October 1929
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