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English 2220 Introduction to Fiction
Syllabus & Discussion Pod Sign-up Sheet

This reading schedule is intended to be suggestive, not prescriptive. In the event we find that we need to spend more time on a text/film than originally allocated, we can adjust our syllabus accordingly. You should also know that one of the signs of a good class discussion is that we will not have time to address all the reading that has been assigned for a certain day.  Let's proceed with the understanding that this class, like life, is a set of contingencies. — I will announce at the end of each class what specific portion of a text we will be discussing closely for the following session. Within the context of our readings, we will (naturally) also talk about the place of fiction in the culture of science & technology, about what makes a book "good" and/or a "classic," about the differences between fiction and film, and how to write well about writing. Please stay tuned!

As a kind of first, informal assignment, explore our textbook (as print or e-book) and consult its TOC (with TLC) for the pagination of our readings and the bio sketches and author index. I will also supplement our syllabus with additional short weblinks, as appropriate.


Week 1–4 Opening Meeting
- The Way We Read Now - The Great American Read
- Can you Read a Book the Wrong Way?  (HULO 3, DVLO 1-3)
-  Book Tubers - YouTube Stars Making Viewers Into Readers

Getting our Feet Wet in the Morass of Deep/Short Fiction
A Guy playing a piano

Characterization

  • David Foster Wallace, "Good People" (HULO 1+3, DVLO 1)
  • Junot Diaz, "Wildwood"  
    (HULO 1-3, DVLO 1-3)              
                                                                        

 

Setting, Symbols, and Stuff
  • Charlotte Perkins Gilman, "The Yellow Wallpaper"
  • Tim O' Brien, "The Things They Carried"
    DP 1 _____________________________________
  • Eudora Welty, "Why I Live at the P.O."      P.O. - Discussion Questions (HULO 1-3, DVLO 2)
  • Raymond Carver, "Cathedral"
  • Jhumpa Lahiri, "Interpreter of Maladies"
    DP 2 ______________________________________

 

  • Reading More Fiction  -  Overflow Hour  -  Our Glossary

**** NOTEBOOKS (1) DUE AT THE END OF WEEK 4 ****


Week 5–7 An Old Classic: Book Burning, Data, and Mind Control - Then and Now

DP 3 _________________________ DP 4 ____________________________

DP 5 _________________________


Week 8-11 Emigrants/Immigrants - The Trauma of Discloation (again, Then and Now)  

DP 6 ______________________________ DP 7 _________________________


DP 8 ______________________________

Useful links on W.G. Sebald:
- An Interview with WG Sebald, Brick; Sebald, Interviews, Profiles, Bios, Vertigo
- WG Sebald. The Last Word/Interview; WG Sebald, Humorist, New Yorker

Please be prepared to make schedule arrangements for our film screenings. Details TBA.

**** NOTEBOOKS (2) DUE AT THE END OF WEEK 8 ****


Week 12-14 Family Dynamics in the Deep South -- (Jesmyn Ward at NULC/WSU, April 2019)

DP 9 ______________________________ DP 10 __________________________

**** NOTEBOOKS (3) DUE AT THE END OF WEEK 11 or 12 (TBA) ****


Week 15

Last week of class, in which nothing is concluded

DP 11 ______________________________ DP 12 __________________________


**** PAPER DUE, Monday, 3 December 2018, hard copy in class, plus electronic copy ****

Final Exam Review and Final Exam



Additional Information

Select the ToolBox from the navigation menu above for an Editing Checklist, student sample papers, and helpful links to film sites.

Select CALPAL from the navigation menu above for useful resources on the writers under discussion. You might also want to check out FilmPAL in the navigation menu above.


A concluding note: The only dumb question is the one you don't ask. My door is always open (and if not, please knock; I will answer if I am there). Please don't hesitate to stop by during my office hours or to make an appointment via email, if you're having trouble getting started or want to talk about your ideas or progress.

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