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Thinking Jazz:
The 1920s in Literature, Culture, Film
Road
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| 1 The Presidencies: From The League to Laissez Faire |
Warren G. Harding (1921-1923)![]() |
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Calvin Coolidge (1923-1929)
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| 2 The Fissure: The Ruralist State of Mind in and Urban Culture |
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PROHIBITION (THE VOLSTEAD ACT)---Staying Wet or Going Dry?
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THE RED SCARE, 1919-21---Attorney General Mitchell A. Palmer
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THE KU KLUX KLAN REVIVAL
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FUNDAMENTALIST REVIVAL
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| 3 The Great Homogenizers: Networks of Consumption |
FILM
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![]() Madge Bellamy see Silent Ladies & Ghents |
Warner Bros. and Vitaphone: from the walkies (only) to the talkies -- silent to sound film
Al Jolson in The Jazz Singer (1927), "You ain't heard nothin' yet."
The decline of vaudeville and live performance
Sound or silence?
[The advent of sound] marks the most spectacular act of self-destruction that has yet come out of Hollywood.... The soul of the film--its eloquent and vital silence--is destroyed. The film now returns to the circus whence it came, among the freaks and fat ladies.
--- English film criticI saw that the novel, which at my maturity was the strongest and supplest medium for conveying thought and emotion from one being to another, was becoming subordinated to a mechanical and communal art that, whether in the hands of Hollywood merchants or Russian idealists, was capable of reflecting only the tritest thought, the most obvious emotion. It was an art in which words were subordinate to images, where personality was worn down to the inevitable low gear of collaboration. As long past as 1930, I had a hunch that the talkies would make even the best selling novelist as archaic as silent pictures. People still read... but there was a rankling indignity, that to me had become almost an obsession, in seeing the power of the written word subordinated to another power, a more glittering, a grosser power....
--- F. Scott Fitzgerald, "The Crack-Up"
RADIO
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AUTOMOBILE
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SPORTS
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| 4 Struggling (with) Stereotypes: Of Bohemians and Cultural Trends |
RADICALISM REVISITED
"Much that masqueraded as 'radicalism' in the Twenties
was radical only in the sense of épater les bourgeois, using a
confusedly Marxist vocabulary for much the same reason that a later generation
of student radicals would defend the use of four-letter words" (Carter 16)
Even in those with a strong impulse toward dissent,
bohemianism triumphed over radicalism.
JAZZ, HARLEM, AND THE NEW NEGRO RENAISSANCE
![]() Aaron Douglas I, II |
Harlem the
smithy of the Black Soul forging the uncreated conscience and consciousness Alain Locke, "The New Negro" 1925
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The Cotton Club Syndrome (1923)---Harlem as white uptown slumming Paradise, an Africa-on-the-Hudson, resonant with "the barbaric rhythms of Negro Jazz, the intoxicating dances, and the wild abandon of cabaret life after midnight" (Carl Van Vechten, Nigger Heaven 1927). Ted Vincent, Keep Cool 1995 |
BOOSTERMISM, BOOBOISIE, AND BABBITT
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Bruce Barton, The Man Nobody Knows (1924) -- Jesus as "the most popular dinner guest in Jerusalem," the number #1 venture capitalist in America The Löwenthal thesis: atomization into the modern consumer society (Radio Research 1944) Julius Klein, Dir. Bureau of Foreign and Domestic Commerce, 1928 |
![]() Boys' and Men's Underwear Ads of the 1920s |
THE FREUD FAD
Floyd Dell, The New Masses, 1915 (in 1915)
(American Heritage 82) |
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OTHER CULTURAL MOMENTS & ICONS
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| 5 The Stock Market Crash---Black Thursday, 24 October 1929 |
Joseph Wood Crutch, The Modern Temper |
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Works Cited, (select, plus embedded links)
Please consult CAL PAL (Contemporary American Literature Pal) and MAL PAL (Modern American Literature Pal) as well, as the dividing membrane between modern and contemporary/postmodern literature/culture/theory is fluid and permeable. As well, please check out JAZZ PAL (The Jazz Age Page) on this site.